“It is the 1960s. Denzel has come to London from Jamaica to start a new life, but life is hard. A joyous two-hander for the over-eight’s that combines the metaphysics of Waiting for Godot with earthy comedy.” The Guardian
“An enjoyable, eminently metaphorical comment on multi-racial society. Set in 1960s London, the tale is told by just two characters, both fresh off the boat from Jamaica.” Time Out
Sweetpeter
“At no point is Sweetpeter anything other than engaging. The script elucidates
complex issues with subtlety and tact, by turns heart-warming, harrowing and periodically hilarious. Best of all is the way the characters linger, utterly believably. It is the kind of play that can change a person’s perspective indefinitely.” Time Out
“Using choreography and song, writer-director Retallack has honed a new style of movement-based theatre that offers insights into the cycle of existence without the aid of naturalism. The visual images that emerge tell a tale of universal significance.” The Stage
Kadouma’s Island
“The clever thing about this piece is the plausible way it combines the real and the magical. It is certainly as engaging for adults as it is for children. All in all a brave piece of work with wonderful moments and an admirable dedication to completely innovative theatre practice.” The Stage
